Snow
Flower and the Secret Fan (2005) is a beautiful novel. Previously Lisa mostly used a third person narrator (not counting the two first person reflections in On Gold Mountain). Now
letting Lily tell her story as an eighty year old woman is powerfully
effective. (It is interesting to contemplate
how the novel would read with Snow Flower as the narrator).
Clearly SF is about love in various forms – but
especially the love that groups of women can feel for each other and the love
between women in closer relationships such as laotong matches. Foot binding and the use of nu shu as a form of communication
between women are intimately related to these relationships. (Since I was a boy, I have always been
interested in codes and ciphers; nu shu
is interesting to me in and of itself).
At the end of the novel, Lily says: “I know a lot about women and their
suffering, but I still know almost nothing about men.” This is true for the novel also. The reader participates in the inner lives of
the women characters but knows the men only from the outside. I would imagine that SF is extremely popular
with women, partly because of the reason Lisa mentions in a note: “On the surface we as American women are
independent, free, and mobile, but at our cores we still long for love,
friendship, happiness, tranquility, and to be heard.” (I think of Woolf’s “A Room of One’s Own”
here).
Although this is true, SF may be more important for
men to read. IMHO a large number of men
would echo Lily’s words in reverse: “I
still know almost nothing about women.” It is easy for men to forget how terribly most
women have been treated in the past and many are even today. In a world less dominated by rigid societal
rules where women can choose whom they marry and can more easily escape from
abusive relations, Snow Flower would blossom. It
is interesting to contemplate what Snow Flower’s life would be like were she to live in
such a world.
The novel is very effective in depicting human
suffering in many ways: the terrible
trek up the mountains to escape from the horrors of war; the painful return
back down the mountain trail with dead bodies everywhere; the physical and
psychological pain of foot binding.
The most powerful treatment of suffering, of course,
is that which Lily and Snow Flower experience in their relationship. It is tragic that Lily’s need for love and
her inability to forgive what she considers to be acts of betrayal cause her to
inflict harm on many people, Snow Flower most of all. The scene in which Lily betrays Snow Flower
by sharing all her private secrets to a group of women is extremely painful to
read. Her behavior is indeed despicable,
especially because she is attacking a poor woman unable to defend herself from
Lily’s attacks from a position of wealth and privilege.
As the book returns to the present, with Lily an 80
year old woman, the reader is finally able to understand Lily’s words at the
beginning of the novel. It is hard not
to be deeply moved by Lily’s final words:
“But if the dead continue to have the needs and desires of the living,
then I’m reaching out to Snow Flower and the others who witnessed it all. Please hear my words. Please forgive me.” (I think of “Tears, Idle Tears” at this
point).
SF is a fine novel that touches the heart. It can be read over and over again as a
source of insight regarding the complexities of the human experience.
Thanks, Larry, for this post -- and for creating an entire blog devoted to Lisa's work! What an honor for her. xoxo Clara
ReplyDeleteClara, I appreciate your kind words. It's good to hear from you.
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